Working all the way from concept, through to final delivery. Another passion project that we ran in the studio like a client project. The brief here was to develop a way to hand paint textures into 3D models to capture a true handmade feel.

It started as a hair-dynamics test and ended up as one of the studio’s favourite characters. A technical experiment becomes memorable the moment you give it personality.

It began as our Christmas brief and grew into a piece about material itself: how cloth, light and texture can carry a mood without a word.

Retro design. An exploration of texture, shape, movement, but also imperfections. The challenge here was to make it less than perfect. So often we focus on the finish being slick/shiny. This was a different appoach.

R&D project to develop our fluid simulations, and lighting techniques with glass.

Working with a new range of liquid simulators, we explored the contrast between slick and solid. Melty vs Granite.

A dynamics and colour study: how a palette behaves once it’s set in motion.

Growth simulation and CGI colour working together in one piece.

An internal brief on style, form and texture, and a chance for the team to design characters of their own. How much personality can you get from an object with a spout and a handle?

The warmth and imperfection of stop-motion, built entirely in Blender. We wanted the handmade feel with the flexibility of 3D.

Wood under beautiful lighting. We designed this to showcase movement, texture, and choreography. All around a chair!

Looking into the movement and animation used in Beauty products. Textures, lighting, and choreography.

Pure play and exploration of how shapes react to one another

We were looking at new ways to render out colour, and this was a study that allowed us to test this new technique.

Dynamics and VFX, testing soft, translucent movement that has to feel alive.

Wood and plant simulation, testing how natural materials and organic growth sit together in a rendered space.